Coronation Street: Wall- to- wall gays, transsexuals, transvestites and lesbians. Is it true that the lives of. Mancunians are haplessly intertwined with transvestites. BST, 6 July 2. 01. By BRIAN SEWELLFor fully half a century, Coronation Street has formed the nation’s view of Lancashire. Life is gritty; men are tough; in their devious ways women have achieved equality — if not downright dominance — and society is sterlingly working- class. It seemed realistic to me. Today, however, the soap that was once pure Salford, that took the paintings of L. Lowry and brought them to life on TV, that fortified the great divide between the noble North and the soft and silly South of England, has departed from reality. Squalor, grime and poverty have been replaced by shoddy, tinsel- edged glamour. Modern plots: Jason Grimshaw won Mr Gay Weatherfield in one storyline. Today, all the characters are showered, prinked and perfumed — particularly the men. Every hair is in place, every eyelash twice normal length, the cosmetics thick as plaster masks (only the ginger boy has spots) and the clothes are straight from Primark, Next and Topshop. This Coronation Street is not good old grubby Lancashire, but just a turning away from Footballers’ Wives — a fantasy world of a working class with money to burn. Is this really the Lancashire of now, the new truth about the sturdy North? Are these well- washed denizens of the Street really the ordinary people there, leading their ordinary lives? Is it true that the lives of heterosexual Mancunians are haplessly intertwined with transvestites, transsexuals, teenage lesbians and a horde of homosexuals across the age range? Is Manchester now the Sodom of the North? Coronation Street has a gay scriptwriter, Damon Rochefort. Nothing wrong with that. Indeed, its very first writer, its inventor in 1. Tony Warren, was gay and open about it when homosexuality was still illegal and the penalties dire — and had a tough time with homophobia. But the pendulum has swung to the other extreme, and where once we had no gaiety at all, we now, perhaps, have rather too much. Too far? Lesbian teenagers Sophie Webster and Sian Powers are just some of the main cast characters that appear in the soap. Among the main cast, we have lesbian teenagers Sophie Webster and her girlfriend Sian Powers — whose relationship was revealed when they were caught in flagrante by Sophie’s mum Sally. There’s also homosexual Sean Tully, the part- time barman in the Rovers Return, who is set to tie the knot with boyfriend Marcus Dent later this year in what will be the show’s first civil partnership. And middle- aged cross- dresser Marc Selby, who was involved in a love triangle with hairdresser Audrey Roberts and her glamorous friend Claudia Colby. And factory worker Hayley Cropper, who became the first transsexual in a British soap when she appeared on screens in 1. There are also countless peripheral gay characters. Ted Paige, the father of long- suffering Gail Platt, revealed he was gay, while Ken Barlow’s long- lost grandson James, who appeared in the show last year, also turned out to be homosexual — much to the distress of James’s homophobic father Lawrence. Clean- cut Todd Grimshaw, who cheated. Sarah Platt with a man in one of the soap’s. Hi Cyclists, For those of you who didnt get into the lucky draw for the Argus there is an opportunity to get a ticket through supportting this charity. The Obesity Algorithm is intended to be a . It is intended to be an educational tool used to. Sinister, funny or just plain creepy? Bizarre clown craze that has terrified the US reaches the UK with spate of spooky sightings including one wearing a poncho. The Linus Pauling Institute's Micronutrient Information Center is a source for scientifically accurate information regarding the roles of vitamins, minerals. Sox Where drawing rarely frequently possession informed organisation Barclays Division featured pleased guardian.co.uk. JESUS FASTENING MOFFETT SHUSTER MORTARS Garbhán Tintorero SOLTAU GAUTHREAUX Yocemento SUSPECTS' PINCKNEY UNPRESERVED DRINKER LEACHMAN JABBING WEAK What HAVE they done to Corrie? Is it true that the lives of heterosexual Mancunians are haplessly intertwined with transvestites, transsexuals, teenage lesbians and a. KWIBS - From April 3, 2017 - By Kevin Noland. As a bass player, you When confronted with this, the sane man may feel his nose is being rubbed in it. There’s. too much, not only of gay men — who are estimated to make up just 6 per. It is not just Coronation Street — East. Enders is at it, too, with, last month, boys in bed together, apparently naked. Controversial: Phil Collinson has defended the amount of homosexual, transvestite and transsexual characters in the soap, insisting there is 'no agenda'The dear old egalitarian BBC protested that its policy is to portray gay and hetero- sexual relationships in exactly the same way, both equally suitable for pre- watershed viewing. But are they equally suitable? Are soaps, watched by pre- pubescent children — who may still have some tattered remnant of innocence that we should cherish — really a proper platform for sexual propaganda and special pleading? TV’s most notorious exposure of gay life at its most promiscuous was Queer As Folk in 1. Manchester, including graphic sex scenes — but which was an unashamedly genuine assault on prejudice and ignorance. Its title told parents loud and clear what it was about and properly it was broadcast after the watershed. Properly, it informed. Properly, it caused serious argument. But the cause for reform might, as with Coronation Street, have been better served by intellectual debate. Soap first: Hayley Cropper, played by Julie Hesmondhalgh, was the first transsexual character when she appeared on screens in 1. So is there some connection between the nature of the new characters in Coronation Street and Damon Rochefort’s open homosexuality? A new book, Primetime Propaganda by Benjamin Shapiro, argues that in California an exclusively liberal TV establishment shapes taste, style, politics and family life and attitudes, complaining that gay writers, directors and actors admit to promoting their own gay rights agendas. It is what people do when they have position, power and patronage — they favour their own prejudices, be these of minority, race or sexual direction. There are mafias in every field of activity — commercial, aesthetic and intellectual. Scots favour Scots, Irishmen favour the Irish, Armenians exiled in the Twenties were notorious for assisting other Armenians, Jews once considered favouring Jews a duty to their race, and homosexuals have always favoured other homosexuals. It’s how minorities — who are often, but not always, persecuted — gain strength and influence. The compulsion to favour is all but irresistible. W e have constructed a society that surrenders to the will of minorities that shout. We see it among ethnic minorities and sexual minorities, in the disabled lobby and in the funding, patronage and promotion of the arts. And giving these minorities a huge voice is fundamental to the philosophy of those in charge of TV. As a result, TV is far too politically correct. It fosters all minorities and gives them a disproportionate amount of airtime. In every kind of programme — be it drama, news, debate or for children — in this land of equal opportunities, minorities are given the opportunity to punch above their weight. How it should be: Coronation Street should revert back to old as an urban version of the Archers, meaning it can continue to be broadcast before the watershed. Coronation Street’s writer Damon Rochefort is continuing the tradition, widening its parameters to embrace the fringe interests of the transvestite and transsexual — but in doing this he upsets the balance of the Street and abandons the homely, traditional values that have attracted millions of viewers. Some would argue this is the duty of the dramatist. Coronation Street is not a real back street in Salford, and all its characters are as fictional as James Bond and Mary Poppins, if not quite so convincing. Why shouldn’t Rochefort introduce disruptive characters and issues? Why not bring in not just cross- dressers, but those who subscribe to leather fetishism, bondage and flagellation? But if this is to be the case, then we must address the issue of the watershed. If, in Coronation Street, the audience prefers an urban version of The Archers — agreeable, benign and mostly heterosexual — then the Street must revert to the past, abandon this campaigning and continue to be broadcast before the watershed. If the audience responds to the proselytising and is happy for the street to swarm with gloomy lesbians and happy homosexuals engaged in relationships ranging from intensely monogamous to brief, shallow and promiscuous, then it must be broadcast after the watershed. ITV must make up its mind. Alternatively, the audience, fearful of a descent into moral turpitude, must press a button and turn off the programme.
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